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Woman Made Gallery is seeking submissions for our April – May, 2022 group exhibition juried by Sundus Abdul Hadi (artist, writer, curator). This exhibition will be held at Woman Made Gallery located at 2150 S. Canalport Ave., Chicago, IL 60608 in the Pilsen neighborhood. 


EXHIBITION DESCRIPTION

This curatorial concept is taken from Sundus Abdul Hadi’s book “Take Care of Your Self: The Art and Cultures of Care and Liberation” and seeks artwork in any medium that explores the following:

"Deeply-rooted is an empowered word to describe any person or community rooted in an ancient culture steeped in traditional and Indigenous knowledge that colonization attempted to erase. It is a word that attempts to describe the multiplicity of ethnicities and experiences related to the international Indigenous, Black, Pan-African, Afro-descendent, Arab, Brown, Latinx, South American, and Asian communities.

Transcultural communities, in all our diversity, have much in common. However, to truly be in solidarity with one another, we must celebrate our differences rather than skim over them in an attempt to boost our similarities. Just as in a family, or a forest, each individual is completely different from the others, I see our interconnected communities as relatives. We are members of an international family with much to learn and teach one another, nurtured through a sophisticated system of roots. The experiences of struggle, unbelonging, colonialism, and marginalization have affected communities the world over, particularly when displaced and uprooted in so-called Western societies.

Every time I would use or read words like “marginalized”, “people of colour”, “global south”, “BIPOC” or “colonized”, I found them limiting in describing the multitude of experiences of a rich diversity of people they claim to represent. These words are often white-centering and are unimaginative. I coined the term deeply-rooted in place of words that identify us as inferior, marginal, or secondary to whiteness. I use this word to describe the multiplicity of ethnicities who are connected not just through struggle, but through deeply rooted ancient identities, familiar spirits, and shared experiences of resistance to white supremacy and colonialism.

This exhibit seeks to center the experiences of the deeply-rooted, through a decolonial lens. By reflecting on both ancestry and futurity, we will collectively offer new narratives, definitions and representations of what it means to be both ancient and novel in a world on the cusp of change." - Sundus Abdul Hadi

The juror is interested in questions around the following : 

  • Tell us a story about deep roots.
  • How does it feel to be deeply-rooted?
  • As deeply-rooted people, how can we see ourselves into the future?
  • How can we honor our roots and ancestry in our acknowledgement of our plural identities?
  • How can we define ourselves outside of the limits of the colonial construct while using the English language?
  • How can we imagine ourselves differently from the way we have been represented by those outside of our communities?
  • How can we create new narratives to alleviate the burden of constant correction that is placed on the shoulders of many deeply rooted artists?
  • What does transcultural solidarity mean for you?
  • Imagine a world where colonialism never happened.
  • Show us decolonization in practice.


ABOUT THE JUROR

Sundus Abdul Hadi is an artist and writer. Born to Iraqi parents, she was raised and educated in Tiohtià:ke/Montréal, where she earned a BFA in Studio Arts and Art History and a MA in Media Studies. Sundus’ transmedia work is a sensitive reflection on trauma, struggle, and care. She is the author/illustrator of “Shams”, a children’s book about trauma, transformation and healing. Her book titled “Take Care of Your Self: The Art and Cultures of Care and Liberation” (Common Notions, Fall 2020) is about care, curation and community. She is the cofounder of We Are The Medium, an artist collective and culture point.


Abdul Hadi’s work has been exhibited in Palestine, Canada, USA, France, UK and New Zealand. She has been a speaker at Nuqat Kuwait, SADA Iraq, the Nobel Peace Prize Forum, Telfair Museums, the Aga Khan Museum and multiple universities in Turtle Island.


IMPORTANT DATES
FIRST DEADLINE: January 30, 2022
EXTENDED DEADLINE (submission fee increase to $35):*  February 6, 2022
NOTIFICATIONS: Sunday, February 20, 2022
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ARTWORKS DELIVERED DEADLINE: Saturday, March 26, 2022
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EXHIBITION DATES: April 7 – May 14, 2022
OPENING RECEPTION: TBA

CLOSING ARTISTS WALKTHROUGH: May 14 @ 3:30 PM CST



SUBMISSION FEE
*The submission fee is $30 until the first deadline. The submission fee will then increase to $35 per submission for an extended deadline . Only one submission may be entered per artist. Each submission requires one artwork, though up to three artworks may be considered per submission. Paid submission does not guarantee an exhibition opportunity. No refunds offered.


Members at the Enhanced Artist Level and above receive one free entry annually. Please email general@womanmade.org to receive your one-time code for free entry redemption.


WMG offers fee waivers to those that request the need and upon approved application. WMG offers 25 fee waivers in total. To acknowledge the historic inequities of wealth distribution, 15 of the 25 are exclusively reserved for ALAANA/BIPOC and/or LGBTQIA+. Factors that result in an approved application include financial instability or low income status, student or recent graduate status, identification as ALAANA/BIPOC and/or LGBTQIA+, or a demonstrated need otherwise. WMG accepts Fee Waiver Request forms on a rolling basis until all fee waivers have been distributed. A note declaring all fee waivers have been distributed will be added to the Submission form at that time. (That is, if you are reading this, the form is active, and there are still fee waivers available!) The team at WMG will approve and send a Submittal fee waived link within 4 days of application receipt.  To request a fee waiver -- complete this form.


ELIGIBILITY
Woman Made Gallery is a space for women and nonbinary artists, including trans women and femme/feminine-identifying genderqueer artists. We welcome art from women and non-binary artists from our local community, regionally based, and around the world.
Due to limited staff and wall size restrictions, artworks must fall within 6’ horizontally and under 75 pounds in weight, unless delivered to and picked up from our 4th floor gallery by the artist. Artists may be additionally responsible for the installation of oversized works.


New media artworks are eligible. To be considered, artists must  submit a sample .mp4 or url under 10mins for purposes of consideration. For exhibition, WMG requires a digital transfer (Google Drive, Vimeo downloads, WeTransfer) as well as a USB formatted in .mp4 file format delivered to the gallery. WMG can provide a limited number of media players, Epson projectors and TV monitors with basic speakers. All other new media needs are the responsibility of the artist.


ART SALES
Accepted work may be listed for sale, though is not required. WMG will retain a 40% commission on sold works. Work remains the property of the artist until sold. Sold artworks shall remain in the exhibition until the end of the exhibition. Artists will be paid no later than 30 days after the close of the exhibit.


TERMS OF EXHIBITION

An artist contract with full terms of the exhibition will be administered at the time of acceptance notification. 

Thanks to the Arts Midwest Gig Fund Grant, this exhibition will offer a stipend to support shipping costs of up to 8 artists. The application will request that an applying artist self-identify if the stipend is required for participation in the exhibition. Otherwise, please note that the shipping/delivery to and from the gallery is the responsibility of the artist including all associated fees, insurance of work en route. 

If work is not picked up from exhibition by the date noted in the artist contract, the work will become the property of Woman Made Gallery and subject to donation to WMG's fundraising efforts, or otherwise discarded. WMG is happy to talk through preparations, offer advice, and recommend resources as requested.

We use Submittable to accept and review our submissions.