Group exhibitions are curated and juried by different professional women, artists and non-artists. Artists are challenged to translate chosen topics into visual presentations and a short general artist statement is required of the artist and exhibited together with the work. This gives additional information to the viewer who in return is often challenged to investigate and question his or her own belief system based on traditional values.
Woman Made Gallery - 685 N. Milwaukee Ave., Chicago, IL 60642 - www.womanmade.org
- EXHIBITION DATES: JANUARY 19 – FEBRUARY 16, 2018
- ENTRY DEADLINE: NOVEMBER 3, 2017
- NOTIFICATIONS: NOVEMBER 30, 2017
Textiles, one of the oldest forms of production, connect us to history and human experience.
How do practices, beliefs and knowledge shape self-identity and cultural fabric?
Artists are invited to submit work that places emphasis on the concept of cloth through broad definition and use of materials. Traditional or uncommon approaches to weaving, stitching, knitting, dyeing, felting, crochet, layering, surface embellishment and patterns as well as digital interpretation may be applied. All materials and techniques will be considered.
The application fee for our juried exhibitions is $30 for up to three images of work, plus one detail image if necessary. A limited number of artists who experience financial hardship may be exempt from paying the entry fee; please send us an email to request a fee waiver: email@example.com. We encourage entries of recent works, but there is no restriction in the creation date. All applicants should submit an artist’s statement about their body of work. Accepted artworks must not exceed 72" horizontally and must not have been previously shown at WMG.
About the Juror: Nnenna Okore
Nnenna Okore is an artist who works both in Nigeria and the United States. Her largely abstract sculptures are inspired by textures, colors and forms within her immediate milieu. Finding reusable value in discarded materials, Okore enriches her work with layers of meaning through familiar and painstaking processes. She sometimes relies on the use of flotsam or discarded objects, which are transformed into intricate sculpture and installations through repetitive and labor-intensive techniques. Some of her processes including weaving, sewing, rolling, twisting and dyeing were learned by watching local Nigerians perform daily tasks. Most of Okore's works explore detailed surfaces and biomorphic formations.
Okore is a Professor of Art at North Park University, Chicago,
where she teaches Sculpture. She earned her BA degree in Painting from the
University of Nigeria in 1999, and an MA and MFA in Sculpture from the
University of Iowa in 2004 and 2005. She has received several national and international
awards and been shown in numerous prestigious galleries and museums within and
outside the United States. She was a 2012/13 recipient of the prestigious
Fulbright Scholar Award, which resulted in a year-long project in Nigeria.